Thethrills and spills come thick and fast as the foursome - along with Dora's animated bestie, Boots the monkey - try to escape from the baddies, while seeking out the eponymous Lost City of Gold.
Review of Dora and the Lost City of Gold on You may be dreading the prospect of having to schlep with your kids to the multiplex to see “Dora and the Lost City of Gold.” The idea of sitting through a big-screen version of the long-running Nickelodeon series “Dora the Explorer” probably sounds like pure torture—even more facile messaging, rudimentary animation and sing-songy delivery for the littlest viewers. Sure, the show means well, and its emphasis on Latinx culture and bilingual education is essential, but a little goes a long way. At home, you can tune out, check your phone, fold some laundry, do anything else besides actually watch an entire episode of “Dora.” But I am here to tell you that you will be shockingly entertained. “Dora and the Lost City of Gold” manages to ride a fine line between being true to the characters and conventions of the series and affectionately skewering them. Director James Bobin and co-writer Nicholas Stoller, who previously collaborated on the most recent “Muppets” movies, achieve a similar sense of humor and tonal balance here. They’re making fun of the inherently surreal nature of the show without tipping all the way over into parody or cruelty. They recognize how insane it is that Dora’s friends include a talking backpack and map, for example, or that her chief adversary in the jungle, Swiper, is a fox wearing a bandit’s mask. But they also see the importance of celebrating a strong, confident little girl with a kind heart, resourceful mind and fearless spirit. Pulling off this tricky feat at the center of it all is the actress playing Dora herself, the magnetic Isabela Moner, whose performance is reminiscent of Amy Adams’ thoroughly delightful work in “Enchanted.” She’s giddy and guileless—borderline manic at times—and she has an unflappably sunny demeanor no matter the scenario. Whether she’s encountering a deadly, poisonous frog or digging a hole to help a friend relieve herself in the wilderness, she’s got a can-do attitude and likely a song for every occasion. But Moner is also in on the joke, bringing expert comic timing and just the right amount of a knowing wink to these perky proceedings. Following supporting roles in films including “Transformers The Last Knight” and “Sicario Day of the Soldado,” this is a star-making performance—so much so that it makes you wish the whole film were as good as she is. Dora has grown up in the Peruvian rainforest with her zoologist mother Eva Longoria and archaeologist father Michael Peña. It’s an idyllic existence that has sharpened her wits and fostered her curiosity, but it hasn’t exactly made her street smart. In fact, she’s never really had any other friends her age—or human friends, period—besides her cousin Diego, whom she hasn’t seen since she was a little girl. Now that she’s a teenager, her parents have decided to send her to Los Angeles to attend high school with Diego Jeff Wahlberg while they go on a dangerous mission to find the elusive, mysterious Parapata, the lost city of gold. Adriana Barraza, part of the strong Latinx cast, brings grace to the role of Dora and Diego’s abuelita. Dora’s fish-out-of-water antics are quickly and consistently amusing, whether she’s offering a cheery hello in English and Spanish to every stranger on the street or navigating the pitfalls of public-school adolescence. She’s so darn innocent and earnest, you can’t help but root for her—or at least hope she’ll survive. Wahlberg brings a deadpan humor as the increasingly mortified Diego, while Madeleine Madden plays the bossy queen bee who’s threatened by her smarts and Nicholas Coombe is the self-deprecating nerd who’s enamored of them. If only the story had remained in There’s plenty of material to mine there as Dora strives to find her way in such a vastly different environment while still staying true to herself. But the script from Stoller and Matthew Robinson contrives to send Dora, Diego, and their friends back to South America for a series of “Indiana Jones”-lite adventures. There, they team up with the frantic and grating Eugenio Derbez as a fellow explorer who’s also searching for Parapata. A series of “jungle puzzles,” as Coombes’ character calls them, causes the film to fall into a steady and episodic rhythm, which is a bit of a letdown compared to the lively and subversive nature of the first half. But if you’ve ever wondered what to do if you should find yourself stuck in quicksand, Dora has the answer to the dilemma—and every other one, for that matter. Christy Lemire Christy Lemire is a longtime film critic who has written for since 2013. Before that, she was the film critic for The Associated Press for nearly 15 years and co-hosted the public television series "Ebert Presents At the Movies" opposite Ignatiy Vishnevetsky, with Roger Ebert serving as managing editor. Read her answers to our Movie Love Questionnaire here. Now playing Film Credits Dora and the Lost City of Gold 2019 Rated PG for action and some impolite humor. 100 minutes Latest blog posts about 7 hours ago about 10 hours ago about 11 hours ago 1 day ago Comments
Doraand the Lost City of Gold is a film directed by James Bobin with Isabela Merced, Eugenio Derbez, Eva Longoria, Michael Peña . Year: 2019. Original title: Dora and the Lost City of Gold. Synopsis: "Dora the Explorer" will
While most of us groan whenever yet another adaptation is announced, we’re entering a whole new era of them. Whereas studios would throw so many different incarnations of popular properties at the wall to see what stuck in the past few decades sometimes with wildly different tones, we’re now at the point where said studios are sick of losing tens of millions of dollars, rebooting the same characters ten times over. Instead, why not throw a decent amount of change in Dora’s case, $40 million dollars at a project to get it right the first time pleasing existing fans and garnering new ones in the process. At least then there’s room to build. Dora and the Lost City of Gold does just that, taking the decidedly very G-rated cartoon and morphing it into a slightly more grown-up PG live-action adaptation. Eva Longoria, Michael Peña, and Isabela Moner in Dora and the Lost City of Gold 2019 The setup seems like it merits those same groans but quickly evolves. The gist is that Dora’s parents Michael Peña, Eva Longoria, who have homeschooled her all her life and trained her I the ways of an adventurer, send her off to public high school. This is exactly what I’m referring to above there was a chance that in decades past, the entire film would take place in said school, groan-worthy jokes and all. Thankfully they only use this period to set up Dora’s character, which all feels endearing in a way that’s extremely Elf2003-like. Dora congratulates her cafeteria staff for making something as amazing as mac & cheese in the same way Buddy celebrates “the world’s best cup of coffee,” but with an actual child-like innocence played straightly by Isabela Moner as our titular hero. The production team kind of doesn’t let up from there, as there are many cartoon aspects spliced into The Lost City of Gold’s DNA, including two literal cartoons Boots the monkey and Swiper the Fox. And by the way, when Swiper appears on-screen and just kind of talks, with zero explanation or magical lore-based reason, it’s incredible. The same goes for a surprise that I won’t mention here all of which help prevent Dora from being an edgy reboot or something that barely resembles its source material. Isabela Moner in Dora and the Lost City of Gold 2019 I’m glad they don’t dwell on the whole fish out of water thing for long, as the school motif is short-lived. We get to see Dora in a classroom setting, briefly at a dance, and then she and her friends are whisked away into a PG-Tomb Raider with constant mentions of death and some semi-harrowing situations. The second set crew has a chance to shine here with some great aerial shots, adding a nice element of practicality to a film with two computer-generated major characters. Don’t get too excited though, as this is still a family production filled to the brim with hokey jokes and performances of varying quality. A lot of the big talent is relegated to part-time roles, and while Moner is up to the task of carrying the film, she doesn’t get a lot of help especially from most of the adult cast. There are moments where they really commit with some jokes that elevate it above reactions that just involve kids snorting in a theatre, and there are parts where you’re kind of scratching your head wondering why they went the way they did. Dora probably isn’t going to sway any adults who aren’t into films aimed at younger audiences, but for everyone else, it’ll go down as one of the better family films and adaptations really in recent years. Dora is a great character and they did her justice.
Doraand the Lost City of Gold is a series of mazes, puzzles and antics remind audiences that the focus of the film is the enigmatic and wonderful Dora. Dora and the Lost City of Gold - Movie Review. Dora the Explorer became a
Now a young adult, the former kid explorer named Dora is big on adventure and wildlife in the new live-action film Dora and the Lost City of Gold. Mostly getting rid of the childish themes of the hit animated show, this now teenage Dora journeys to the dark side of the jungle in order to save the day and her family while navigating traps, villains and a water slide that is eerily reminiscent of The Goonies. No matter how action-packed director James Bobin The Muppets tried to make this adaptation, it never grows past a five-year-old level, despite some phenomenal set pieces. In other words, the film takes no chances on being edgy or growing up with Dora herself, instead, the film relies on the safe way of delivering dialogue and cartoonish action sequences that would only excite super young fans of the show. The 16-year-old Dora Isabela Moner lives with her parents Eva Longoria and Michael Pena in the jungle inside a luxurious jungle abode. Even though she's been raised in the wild by her animal friends and parents, she is set to Los Angeles to a city high school. She doesn't take to city life very well due to her awkward know-it-all nature, but she makes a friend or three and eventually Dora and her three classmates are sent back to Dora's parent's place in Peru to search for The City of Lost Gold. That's where Alejandro iconic actor Eugenio Derbez enters the picture as the flamboyant bad guy that never seems to be an enemy, but more of a slight nuisance. I know themes are light-hearted in the film, but to amp up any sort of conflict or suspense, the villain should be as good as its protagonist, which it never is here. Dora and the Lost City of Gold is not a good film. Each bit of adventure, drama, and suspense or lack thereof falls flat and vanishes immediately into thin air. Every henchman or foe that crosses paths with the teens is easily knocked down with no real fight or anxiety. The animated Lion King movie is more likely to give kids nightmares than this film. In addition to that, the performances border on silly self-awareness and being over-the-top in every scene. It becomes tiresome quickly. The one element that has worked well in the film is the elaborate and practical set pieces, which look top-notch and beautiful. The jungle never looked so bright and prosperous before with big stone structures, tons of trees and wildlife, and other mysteries along with way. It brought that old nostalgic feel of real-life sets back to the films and left a lot of the CGI at the door, with the exception of Dora's animal friends. For trying to be a hip, young adult feature film and furthering the story of Dora, this Lost City of Gold never pushes any boundaries, let alone step within 50 feet of them. The result is a movie that wants to attract all ages, especially the teen audiences, but could only muster a toddler's attention span for a few minutes. It's painful to get through and that's unfortunate because this could've been that start of a bigger franchise with a little grit. Vital Disc Stats The Blu-ray Paramount swings Dora and the Lost City of Gold to Blu-ray + DVD + Digital. The discs are housed in a blue plastic case with a cardboard sleeve featuring the entire cast Inside, you'll find the digital code that you can download for iTunes.
Penasarandengan ulasan dari film satu ini? Berikut kami akan mengulas film Dora The Lost City of Gold untuk Anda. Dora The Lost City of Gold. Film ini akan diawali dengan Dora, yang merupakan anak dari pasangan penjelajah Cole dan Elena, di mana ia menghabiskan hari-harinya untuk melakukan petualangan bersama dengan teman monyetnya, Boots.
At first blush, a feature film based on the Nick Jr. cartoon Dora the Explorer seems like a non-starter. The show, designed to help preschoolers grasp Spanish-language terms for English phrases, doesn't scream out for the cinematic treatment, and definitely not the live-action feature treatment. Yet such a film now exists Dora and the Lost City of Gold both manages to broadly acknowledge its inspiration while cutting its own path as a tween-friendly version of Indiana Jones. It's a surprisingly funny blend of fish-out-of-water comedy and adventure, even if the familiarity is hard to of a brief prologue, the Dora we spend time with is no little kid — she's a 16-year old who's being unhappily uprooted from her home in the jungle by her loving parents Eva Longoria and Michael Pena, who go off on a journey of their own as they encourage Dora to explore what it's like to be an average high-schooler in Los Angeles. Dora's expertise in the jungles of South America, though, leave her ill-equipped to handle the vagaries of high school. Her ebullient spirit is at odds with the dismissive nature of the average high-schooler, as represented by her cousin Diego Jeff Wahlberg. However, she, Diego, and two other high-schoolers are soon abducted while on a field trip, forced by a series of treasure hunters to find a mythical city of gold...the same one her parents are searching signs of an unexpectedly goofy movie are present before you even meet Dora — after the studio logo, there's a pre-title card warning that the film we're about to see is mostly accurate, except for the implication that foxes like to swipe things. Perhaps the strangest, most off-kilter casting choice here is a loopy-sounding Benicio del Toro as the sneaky Swiper. Director James Bobin and co-writer Nicholas Stoller collaborated on the two Muppet movies of the 2010s, and a similar sense of wry charm is present through Dora and the Lost City of Gold. The film mostly sidesteps the way the TV series looks or sounds, but there are a couple of goofy, fourth-wall-breaking gags where Dora asks us to repeat certain phrases to no avail. And Dora's struggles in the big city to balance her own jungle-driven savvy with, for example, the fact that no other high-schooler would bring a flare with them to class make for a good amount of the four kids are stuck in the jungle, they're paired with the rubbery-faced Eugenio Derbez, as Alejandro, a linguistics professor with ties to Dora's folks. Derbez's shtick varies between seeming mildly funny and mildly exhausting; the few times he gets to do all the heavy lifting, the comedy feels a bit forced. There's one specific gag involving quicksand that, depending on your mileage, may make you laugh your head off, or may make you wish that the scene would just end. As in the rest of the film, the charm largely lies with the younger actors. As the teenage Dora, Isabela Moner is the right mix of winning and a bit weird. Though the script co-written by Stoller and Matthew Robinson leads Dora to a predictable place of accepting herself for who she is even as she gains friends, Moner makes the journey feel less rote than unique. Wahlberg — who is Mark's nephew — is a nice foil for Moner, as the teenage Diego can't decide if he's charmed or perpetually embarrassed by his enthusiastic fun of Dora and the Lost City of Gold lies in the journey, not the destination. Once the eponymous mysterious location is discovered, because of course it is, the film becomes a most remarkable riff on the Indiana Jones franchise. The phrase "most remarkable" here is meant to imply that Dora becomes either a loving homage or a straight-up rip-off of Indiana Jones and the Last Crusade. Since both The Last Crusade and The Lost City of Gold were released by Paramount Pictures, I suppose we'll stick with homage. Fans of the third film in the Harrison Ford-led franchise will recognize...well, a lot of its climax here, down to similar punchlines even if the bad guys don't meet deliciously nasty and the Lost City of Gold is charming enough, even as its conclusion smacks of overfamiliarity. A live-action/CGI mix inspired by a preschool animated show doesn't seem like the kind of movie that would even be remotely tolerable. Yet a winning lead performance, coupled with a slightly cheeky and anarchic storytelling style, are enough to withstand plotting that owes an unpayable debt to the most famous movie adventurer of the modern age. Dora and the Lost City of Gold has no right being as charming and fun as it is, but there's nothing wrong with a pleasant surprise in the dog days of summer./Film Rating 6 out of 10
Dorathe Explorer was seven years old when audiences met her on television, a sing-songy polymath who traveled the map seeking answers and solving puzzles, accompanied by a big-mouthed backpack and equally loquacious monkey, Boots. Nearly 20 years have passed since the adventure show first aired (enough to cultivate a massive global awareness), but only []
Dora’s grown up a bit since her seemingly perennial childhood through eight seasons on TV beginning in 2000 and her briefer tween years starting in 2009, but the audience will remain largely hormone-free for her big-screen debut in Dora and the Lost City of Gold. Except for some of the jargon and the interracial cast, this is a film whose sensibility and aesthetics lie squarely — in both senses of the word — in the 1950s. Imparting the air of having been highly sanitized and thoroughly rinsed, this late summer Paramount release is squeaky clean and unhip to an unusual degree, its commercial success resting all but exclusively on a built-in fan base. The Bottom Line A story about hormonal teens aimed at little kids. Release date Aug 09, 2019 Something seems off and far too Hollywood-ish from the very beginning, where we find the 16-year-old Dora the earnestly conscientious, rather mature and nothing if not lively Isabela Moner living with her zoologist mom Eva Longoria and archeologist dad Michael Pena in a deep jungle abode so luxurious and elaborate that it looks like something rich tourists would pay a few grand a night to stay in. Like Tarzan, Dora grew up in the jungle with animals as best friends but, unlike the fictional vine-swinger, she’s being sent to to study at Silverlake High. Dora has relatives to stay with, including good-looking cousin and all-around too-cool-for-school Diego Jeff Wahlberg, nephew of Mark. But she’s quickly deemed a weirdo, to Diego’s embarrassment, and piling on is the conceited, condescending Sammy Madeleine Madden, an intimidator who does all she can to make the newcomer’s life miserable at school. The only guy who takes to her is ultimate nerd Randy Nicholas Coombe, and it isn’t long before this ill-matched foursome finds itself transported from the Natural History Museum back to Dora’s parents’ place in Peru to renew the search for the titular destination. Of course, a bad guy, Alejandro Eugenio Derbez, worms his way into the mix, but by now it’s quite clear that the filmmakers never intend to try to present any real challenges or formidable foes that would generate genuine suspense or dramatic excitement. Although this franchise relies upon preteens for its core audience, upping the ages of its protagonists to a more hormonal demographic makes one imagine that prospective viewers have been exposed to at least mildly rugged Indiana Jones or Transformers-like action, to the extent that more eventful and exciting scenes could have been served up. In the action and suspense department, what director James Bobin The Muppets, Muppets Most Wanted, Alice Through the Looking Glass delivers here feels more like 1950s kiddie television. In essence, every dramatic goal is achieved far too easily, every opponent is ultimately made of straw. The characters are never truly challenged, as if the filmmakers are afraid that any credible peril might prove too frightening for some little kid. There’s nothing remotely akin to Bambi’s mother’s death here to disturb any youngster’s sleep. What keeps things alive, up to a point, is the imperturbable attitude of the titular heroine, who is invested with try-and-stop-me spirit by Moner, who’s actually 18 and looks it despite preventive measures. The same goes for Wahlberg, who’s 19. There’s a palpable gap you can’t help but notice between the essentially innocent, borderline-pubescent nature of the leading characters and the film itself, and the more confident and mature vibes emanating from the leading actors. The director seems to be trying to keep the hormones at bay, but there are some things you just can’t disguise, perhaps human nature first and foremost. Dora seems committed to projecting a pre-sexualized version of youth, while throbbing unacknowledged beneath the surface is something a bit more real, its presence rigorously ignored. To be believed, this story should have been set in 1955. Production company Burr! Productions Distributor Paramount Cast Isabel Moner, Eugenio Derbez, Michael Pena, Eva Longoria, Adriana Barraza, Temuera Morrison, Danny Trejo, Jeff Wahlberg, Nicholas Coombie, Madeleine Madden, Q’Orianka Kilcher, Christopher Kirby, Isela Vega Director James Bobin Screenwriters Nicholas Stoller, Matthew Robinson, story by Tom Wheeler, Nicholas Stoller; based on the television series Dora the Explorer by Chris Gifford, Valerie Walsh Valdes and Eric Weiner Producer Kirstin Burr Executive producers Julia Pastor, Eugenio Derbez, John G. Scotti Director of photography Javier Aguirresarobe Production designer Dan Hennah Costume designer Rahel Afiley Editor Mark Everson Music John Debney, Germaine Franco Casting Sarah Halley Finn Rated PG, 103 minutes
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Doraand the Lost City of Gold offers a 102-minute window of welcome respite. Upbeat, witty and unexpectedly moving, it is an absolute must-see this summer. And, if you have yet to be sold on this
Nearly 20 years’ worth of tinies have grown up on the beloved Dora The Explorer’s TV cartoon jungle jaunts. But James Bobin’s cheery if wholesomely predictable live-action big-screen transplant takes a gently spoofing tone, getting knowing gags out of Dora’s Isabela Moner bottomless backpack and trademark smiley to-camera questions. When her explorer parents a doting Eva Longoria and Michael Peña flip her from the Amazon into a snobby LA high school, the film is on full comic mode, as knowledge-loving chirpy Dorka’ becomes a socially scorned misfit. But a Goonies-style old-school adventure kicks in when she and a group of classmates are kidnapped by mercenaries tracking her parent’s secret expedition to Parapata, the Incan City of the quarrelling, wisecracking teens pick their way fearfully through the Peruvian jungle, the film opts for a slapstick vibe, throwing head-scratching Inca puzzles, whooshy water-slide tunnels and booby-trapped temples at them. With the jeopardy strictly PG deadly quicksand is a riot of fart noises, the film’s playful aspect is its best side, milking CGI creations Boots the monkey voiced by Danny Trejo and the thieving Swiper the fox Benicio Del Toro for cosy it comes up short on the thrills and spills, Moner’s hilariously upbeat Dora is downright delightful, especially when forced to school her cooler compadres in the jungle’s secrets. Parents will appreciate the snappy-not-sappy eco messages and pro-learning stance, firmly on the side of the team player rather than the tomb raider.
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review film dora and the lost city of gold
